Dead but Not Dead

*This post may contain spoilers for the following books and movies: City of Glass, Harry Potter and the Deathly Hallows, The Two Towers, Marvel movies/shows.

There seems to be this trend going right now. Story makers either make you think they killed their characters when they really didn’t (like when Loki “dies” in Thor) or they kill them for real but then bring them back to life (like when Jace dies in City of Glass).

Is anyone else finding themselves horribly desensitized to characters dying?

Hagrid_carrying_Harry

I was fine when it happened in Harry Potter. That was actually one of the first times I’d seen it done (or rather, read it being done). How satisfying was it when Harry came back to the world of the living and kicked Voldemort’s ass?

gandalf_falling

I was even okay with it happening in The Lord of the Rings. I hadn’t read the books beforehand, so when Gandalf died in Fellowship, I was so depressed. Then when he came back in The Two Towers, I was ecstatic, as I’m sure others of my generation who didn’t grow up reading the books felt.

But nowadays things are getting a little out of hand. Everyone seems to be using this dead-but-not-dead trick. Marvel especially is going crazy with this idea. Check this out.

Bucky Falls

In Captain America, Bucky “dies.” Then he comes back in Captain America: The Winter Soldier.

Loki Falls

In Thor, Loki “dies.”

Loki Stabed2

In Thor: The Dark World, Loki “dies” again! Didn’t buy it the first time, and I certainly didn’t buy it the second time. He’s the best thing about that show!

Groot dies

In Guardians of the Galaxy, Groot “dies.”

Phil Coulson Death

In The Avengers, Phil Coulson dies, like for real except they bring him back to do Agents of S.H.I.E.L.D.

I would guess that these producers/writers are trying to add more tension to these stories. The stakes are high. Death is a real possibility when you’re saving the world. People, even the heroes of the story, might die. But the overuse of dead but not dead is having the opposite effect. For me, it’s getting to the point where if a character dies, it doesn’t affect me at all because it’s likely that they’re not really dead. All tension is gone.

Since complaining about something isn’t effective unless you have a solution for it, I tried to think of what other writers could glean from this blatant overuse of dead but not dead. If we kill a character, should they stay dead? Or should we not kill characters if we intend to bring them back?

Here’s what I think. As long as authors are aware of this trend and how it affects readers who are used to seeing it, they should be able to effectively incorporate it into their stories. Each story is trying to achieve something different, and maybe some authors are talented enough to convince readers that their character is really dead when he actually isn’t. Good for them.

But I think the really important thing is for us to be aware of what’s already been done by others before us, how it was done, and how readers/viewers responded to it. This way we can decide how best to use the same treatment in our own stories while also being unique.

And since that was a lot of death, let’s end by looking at some happy things.

Richard Armitage

lol-rofl

Ian Somerhalder

Fanpop

Jake

Fanpop

Sci-fi/Fantasy Movies and TV Shows

I watched a really good sci-fi movie the other day that got me thinking about the sci-fi/fantasy genre. I’m a huge fan of SFF—especially if there’s a good romantic subplot (or main plot) in the mix. Lately there’s been a surge of SFF movies and TV shows. And YA is really starting to bring in some fantastic fantasy (pun intended) and sci-fi. The Girl of Fire and Thorns, Throne of Glass, The Hunger Games, and Grave Mercy are just a few of my favorites.

It’s been my experience, though, that the movie making industry has a harder time creating strong SFF. This is understandable once you consider how many people read and make changes to a screenplay before it reaches production. And then there are the changes that get made while it’s undergoing production—changes by the director, the interpretation by the actors, etc. While these changes are understandable, I don’t think we can excuse all of them. When the storylines are riddled with plot holes and inconsistencies that are so bad that they make you unable to suspend your disbelief halfway through the movie, it’s a problem.

So to remind us that the genre is wonderful and worthy of our attention, I thought I would list some good SFF shows and movies to look into (and some old ones to remember and appreciate).

First is Live. Die. Repeat.: Edge of Tomorrow, the excellent sci-fi movie that I mentioned watching earlier. Basically this movie is Ender’s Game meets Prince of Persia.

And since I just mentioned them, I will add them to the list formally because they are both fantastic SFFs.

Prince of Persia

Ender’s Game

Next up is Pirates of the Caribbean.

Johnny Depp as Captain Jack Sparrow. Need I say anything else?

Guardians of the Galaxy

Everything in the Marvel universe is already awesome, but I especially enjoyed GotG. Talk about fantastic dialogue and characterization!

Galaxy Quest

Laugh out loud funny.

The Hunger Games

Probably one of the most brilliantly done movie adaptations of a book.

Stardust

And now some timeless classics:

Star Wars

The Lord of the Rings

And a few great shows:

The Vampire Diaries

I know I talk about TVD a lot, but, guys, this show is brilliant. I had never seen a show that gets better with each new season until I saw TVD. The series arc is brilliant, and the plots are oh, so fun!

Every show by Joss Whedon:

Firefly

Dollhouse

I feel like Dollhouse is lesser known, but it is still an excellent show. If you like sci-fi, go watch now.

Buffy the Vampire Slayer

(These next two are not by Joss Whedon, but they’re both great.)

Witches of East End

Sorry, couldn’t find an official trailer.

And last but not least, Orphan Black

This actress is phenomenal.

Now go watch something awesome. Watching awesomeness always inspires me to write 🙂